是否有这样一个夜晚,当你散步在湖畔,月光下泻,粼粼之间,却想起曾经的她?是否有这样一个子夜,当你枯坐在桌前,桂魄冷浸,皎皎IntheeyesoftheConservativ"> 是否有这样一个夜晚,当你散步在湖畔,月光下泻,粼粼之间,却想起曾经的她?是否有这样一个子夜,当你枯坐在桌前,桂魄冷浸,皎皎IntheeyesoftheConservativ" />
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        1. 翩翩逐晚枫

          ">是否有这样一个夜晚,当你散步在湖畔,月光下泻,粼粼之间,却想起曾经的她?

          是否有这样一个子夜,当你枯坐在桌前,桂魄冷浸,皎皎In the eyes of the Conservatives the League was now the great cause of the political ferment that had spread throughout the land. In the Quarterly Review for December a long and elaborate indictment had been published against that body, and all who were in any way connected with them, in which it was attempted to show that the means by which the League sought to attain their objects were of the worst kind. The writer of the article hinted that the League's system of levying money for the avowed purpose of forcing Parliament to alter the law of the land was criminally punishable. A Mr. Bailey had stated, at one of the League meetings, that he had heard of a gentleman who, in private company, had said that if one hundred persons cast lots, and the lot should fall upon him, he would take the lot to deprive Sir Robert Peel of life. The teller of this injudicious anecdote added, that "he felt convinced that no such attempt ought to be made under any pretence whatever; but he was persuaded of this, that when Sir Robert Peel went to his grave there would be but few to shed one tear over it." The speaker was a minister of the Gospel, and there could be no doubt that he intended his anecdote only as an illustration of the frenzy to which some persons had been wrought by the political circumstances of the time; but this fact circulated by the great Tory organs, together with all the most violent and excited passages which could be found in the innumerable speeches delivered at League meetings, and in the pamphlets and other publications of that body, tended to create a vague horror of the Leaguers in the minds of that large class who read only writers on that side which accords with their own views.之中,却念起曾经的她?

          如今的我们,面对如走马灯变幻的淫幕女神,却早已目不暇接,但是否总也忘不了那个曾经让我们悸动的她?

          淫河的历史早已翻过一页又一页,上原亚衣,大桥未久,希志爱野、横山美雪……这些曾经熟稔于心的名字,早已引退。而以高崎圣子、三上悠亚却又成了我们空想的新一代淫幕女神,但是在看这些新人的表演,是否有一种感到,经典不再,青春不再?

          也许只有20岁前的经典才是真正的经典

          或许苍井空是最为狼友熟知的明星,但在无数的狼友心中,或许松岛枫才是那个永不逝去的唯一,忘不了枫娇媚的双眸,忘不了枫白净的胴体,更忘不了枫在举手投足之间那摄魂的一颦一笑。

          见过无数的未亡人,但我想,松岛枫是演的最是恰到利益。她把那种欲拒还迎,久旱逢甘霖的酣畅展示得淋漓尽致,黑色的庄严正穆与灵肉的交错带来视觉的冲击,心灵的震动,仿佛那一刻,人只是在追逐自己的心坎,只是在把心中所爱的一切迸发,世俗的种种,早已烟消云散。

          见过无数的被侵略的年青人妻,但依然感到,只有松岛枫演的才有触动听心的苦楚、无助。一人在事后,痴坐在一角,眼角滑过的泪水诉说着刚才产生一切并非自己所愿,面对丈夫眼神的躲闪,面对侵略者眼神的无奈。枫用她的眼神诠释着苦楚,诠释着无奈。

          见过无数的女教师,但松岛枫是既演出了奴隶女教师的奴隶二字,也演出了痴女教师的痴字,西野翔的新任女教师更多是喜剧,而松岛枫的新任女教师则是彻彻底底的悲剧,面对如狼似虎的学生,松岛枫只能选择接收,也许这就是生涯,无奈却只能接收,只能任凭那些学生冲击而连根尽没,而自己扇簸而和核欲吞,最终嘴角滑下特仑苏。

          这样的角色不可胜数,她是办公室里柔顺的女秘书,是武道馆里一身侠气的女忍者,是腐化的白衣天使,是邻家亲热可人的姐姐,是机密俱乐部里女奴,也是好色的女教师,而所有角色,都能让淫幕前的我们心潮澎湃。

          出道八载,留下近百部作品,曾经在07年引退,旋即在08年复出,但又在短短的两年之后彻底退隐江湖,至此,江湖再无松岛枫。

          却不知,当深夜,点开那个文件夹,翩翩逐晚枫时,不知她还好吗?

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          好久不写,手生不少,纯属娱乐